Zachary Yoo is a journalist and Berkeley High student. He is a movie-lover interested in pop culture and politics, and outside of the Jacket can be found competing for Berkeley High's Speech and Debate team.
Since the first novel’s publication in 1965, “Dune” has become legendary, seminal sci-fi. Renowned for its intricate and outlandish worldbuilding, the book is so dense with rich conceptual work that it was originally published serially as eight separate volumes, before being re-edited into the final product. 2021’s “Dune Part One” covers about half of Frank
Samy Burch has written two feature films in her career. The first, “May December” debuted on Netflix last November, and is nominated for an Academy Award for Best Adapted Screenplay.
“I see what you’re doing,” Thelonious “Monk” Ellison’s agent says about half an hour through “American Fiction,” a new film from writer-director Cord Jefferson based on the 2001 book “Erasure.” “Good, because it’s not subtle,” Monk retorts. This is the joke of “American Fiction,” wherein Monk, a Black academic and novelist facing financial
Much like its predecessor, “Aquaman and the Lost Kingdom” is not good by any traditional standard, nor is it fully “so bad it’s good”. It’s somewhere in-between, filled with genuinely amazing details and hilariously stupid moments.
Few media properties are as legendary and successful in nerd culture as “Scott Pilgrim.” The beloved franchise began as a humble graphic novel series from 2004, became a cult classic live-action movie and inspired a successful video game in 2010.
The first wonderful thing about “The Boy and the Heron” is its existence. For years, there was no greater secret in show business than Hayao Miyazaki’s final film.
In Sophia Coppola’s new film “Priscilla,” a 32-year-old Elvis proposes to a 22-year-old Priscilla Beaulieu. He doesn’t get on one knee, and he doesn’t ask her if she’ll marry him.
There are few cultural fixtures as bizarre as “Five Nights at Freddy’s”. Starting in 2014 as a phone and PC game developed by a single person, the indie series was elevated to its current smash-hit status by YouTube content creators like Markiplier and MatPat.
REAL WOMEN HAVE CURVES “Real Women Have Curves’’ is a cathartic joy. Telling the coming-of-age story of Ana Garcia, it is about the mothers who seem like they’ll never be satisfied, the fear of not being accepted in your body, and the awkward boyfriend you deserve better than.
REAL WOMEN HAVE CURVES “Real Women Have Curves’’ is a cathartic joy. Telling the coming-of-age story of Ana Garcia, it is about the mothers who seem like they’ll never be satisfied, the fear of not being accepted in your body, and the awkward boyfriend you deserve better than.
“Bottoms” was the most-watched film on Letterboxd, the social media website for film nerds, on its first week of wide release. It’s been marked as “watched” by over 100k users, far more than other summer movies like “Gran Turismo” and “Blue Beetle.” But it has thus far made a mediocre nine million at the box
“We must now exert the maximum leverage possible to get a fair contract,” reads the announcement by the Writers Guild of America, regarding the strike that started May 2, approved by over 98 percent of its members.
CHAN IS MISSING The first Asian American directed movie is ultra-indie. Made on a budget of $22,000, shot in black and white, and with less-than-stellar audio quality, it’s a miracle “Chan is Missing” ever got made.
The 1993 movie “Super Mario Bros.” is the worst film ever made. It’s indescribably bad, baffling at every turn, banishing everyone’s favorite Italian-American plumbers to a disgusting, live-action, fungus-infected New York City.
In 1985, a bear did cocaine. That’s all that really matters. It does not matter that the bear overdosed and was found dead months later. It does not matter that this event came at the height of Ronald Reagan’s war against drugs, nor does it matter that the taxidermy of the bear, which still exists,
In 2019, actor Jordan Peele created controversy by saying he wasn’t interested in making films about white protagonists. The comedian-turned-horror-auteur has a clear purpose.
Amidst this year’s award show season, the question on everyone’s mind isn’t who will win big, rather, it’s: will anyone care? From the Oscars to the Tony Awards, many major award shows have been steadily losing viewers.
“Avatar: The Way of Water” should need no introduction. It’s the sequel to the single highest-grossing film of all time, helmed by the legendary director James Cameron, who has devoted over a decade of his career to seeing it through.